Sunday, 18 May 2014
Case Closed
Saturday, 8 June 2013
Gantz
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English/Japanese sample comparison |
Sunday, 6 November 2011
Detriot Metal City

… or DMC depending on who you ask.
This is one for the all the metalheads who don’t take themselves too seriously. Like a cross between Alice Cooper and Tenacious D, DMC rips into itself in a knowing way and holds little back.
Moving into the city to try and achieve his dream as an indie-pop artist, Soichi is a good boy who loves his mother, gentle melodies and being a super-hip musician. He does find success with his music, but only as the lead guitarist and vocalist in DMC, the heaviest death metal band around that is taking the industry by storm. The lyrics are vile and most bodily fluids are readily shared on stage for his adoring fans. You’d think he’d be happy to be making his way in the world, but Soichi resents his role as Lord Krauser II and does whatever he can to avoid performing while hiding his dual identity from his friends and family.
DMC is a situational comedy mixed with heavy metal. To be perfectly honest, I don’t really like Soichi as himself. He is a pathetic and limp do-gooder who will swallow all of his pride to keep up appearances. He does have a breaking point though, at which he seeks revenge as Krauser. Spitting down someone’s throat or dry humping people in public (affectionately referred to as ‘rape’) is the kind of low-brow thing to expect. It’s as offensive as it is ridiculous. I love it, but would understand if the constant torrents of swearing and filth put the majority of readers off.
It starts out as somewhat of a satire, but gradually turns into a familiar pattern of Soichi tries to be nice, gets burned, and then kicks ass as Krauser. It’s very funny, especially in the first few volumes, but would advise reading in shorter bursts as opposed to reading the whole thing in one sitting. It’s difficult to laugh at the same joke more than once, so it’s impressive that DMC is able to retell its joke so many times. The final few volumes develop a longer narrative, so the series is able to round itself out properly rather than outstaying its welcome.
This is a stupid and likably earnest manga that beats death metal into the otherwise gentle and inhibited societies such as ours. Satsugai!
Monday, 24 October 2011
Spiral: The Bonds of Reasoning

After the disappearance of his older brother, Ayumu continues to lives with his sister-in-law as normal despite that lack of resolution to the mystery of it all. However when strange incidents start to occur at his school it’s not long before he finds himself in the middle of a dangerous conspiracy. Only his self-faith and powers of deduction can overcome the puzzles that await him.
Spiral is perhaps one of the most anti-shonen series out there. Confrontations appear regularly, but are always presented as tests of logic as opposed to an exchange of blows. Mindlessly shooting up your enemy presents no satisfaction to the intellectual cast, despite many of them being quite capable assassins, and so it is victories of the mind that are valued above all else where betting your life on your reasoning is the only real way to win a true victory. As such entire chapters of talking heads can go by, but the detailed scripting makes for engrossing reading.
‘Who are the Blade Children’
Anyone familiar with the Spiral anime will be familiar with this tagline. As the series debuted viewers were constantly teased with information about the Blade Children, who they were, and what the mystery about them was in relation to Ayumu’s life and the mystery surrounding his brother. Expectations were high for the final episode when all would be revealed… except nothing happened. True, the show ended with a Hollywood-style showdown, but the conspiracies weren’t explained and audiences were left feeling a little cheated.
It turns out the series only covered half of the manga which continues to plot to a full and proper resolution. With divulging any spoilers, I can say the ending is full and complete with pretty much everything explained thoroughly. So thorough in fact that the explanation if what/who the Blade Children are takes up an entire volume in itself!
It may base itself on reasoning, but the second half of Spiral sends itself into some pretty unreal scenarios as increasingly outlandish concepts come into play surrounding the final mysteries. Spiral might have its own logic, not necessarily one that relates to the real world. A very worthwhile dialogue-based manga then, just a bit far out there for some readers.
Tuesday, 16 August 2011
Tenjo Tenge
